Louise Bourgeois | The Damned, the Possessed, and the BelovedInstallation at the Steilneset Memorial
"During the European witch-hunts of the 17th century, more people were convicted of sorcery and burned at the stake in Eastern Finnmark than anywhere else in Norway. Steilneset Memorial in Vardø was erected to commemorate the 91 victims who were convicted of sorcery and executed there. Steilneset Memorial is located near the assumed execution site, with a view towards the church as well as the old fortress. The narrative is communicated through art and architecture, realized in a unique collaboration between the artist Louise Bourgeois and the architect Peter Zumthor." (Nasjonale turistveger) Louise Bourgeois | The Damned, the Possessed, and the BelovedInstallation at the Steilneset Memorial
"During the European witch-hunts of the 17th century, more people were convicted of sorcery and burned at the stake in Eastern Finnmark than anywhere else in Norway. Steilneset Memorial in Vardø was erected to commemorate the 91 victims who were convicted of sorcery and executed there. Steilneset Memorial is located near the assumed execution site, with a view towards the church as well as the old fortress. The narrative is communicated through art and architecture, realized in a unique collaboration between the artist Louise Bourgeois and the architect Peter Zumthor." (Nasjonale turistveger)

Louise Bourgeois | The Damned, the Possessed, and the Beloved

Installation at the Steilneset Memorial

"During the European witch-hunts of the 17th century, more people were convicted of sorcery and burned at the stake in Eastern Finnmark than anywhere else in Norway. Steilneset Memorial in Vardø was erected to commemorate the 91 victims who were convicted of sorcery and executed there. Steilneset Memorial is located near the assumed execution site, with a view towards the church as well as the old fortress. The narrative is communicated through art and architecture, realized in a unique collaboration between the artist Louise Bourgeois and the architect Peter Zumthor."
(Nasjonale turistveger)

Andreas Gursky | Kamiokande | 2007

Kamioka Observatory, Hida, Japan
Cosmic ray observatory in an old zinc mine.

Michael Blade / Watercolors / 2012

"Hanging Fire" on exhibit at Carter & Citizen, Culver City 

Suzanne Unrein

Tim Lewis | Pony | 2008

Kristen Hassenfeld | Star Upon Star | 2011

Frank Tjepkema | Paper Gear Hearts

Ann Hamilton | Meditation Boat

Captured Lightning (Stoneridge Engineering) | Lichtenberg Figure | Desk Ornaments
http://capturedlightning.com/ Captured Lightning (Stoneridge Engineering) | Lichtenberg Figure | Desk Ornaments
http://capturedlightning.com/ Captured Lightning (Stoneridge Engineering) | Lichtenberg Figure | Desk Ornaments
http://capturedlightning.com/ Captured Lightning (Stoneridge Engineering) | Lichtenberg Figure | Desk Ornaments
http://capturedlightning.com/ Captured Lightning (Stoneridge Engineering) | Lichtenberg Figure | Desk Ornaments
http://capturedlightning.com/ Captured Lightning (Stoneridge Engineering) | Lichtenberg Figure | Desk Ornaments
http://capturedlightning.com/

Captured Lightning (Stoneridge Engineering) | Lichtenberg Figure | Desk Ornaments

http://capturedlightning.com/

Boneyard Project | Pima Air and Space Museum | Arizona (Part 1) Boneyard Project | Pima Air and Space Museum | Arizona (Part 1) Boneyard Project | Pima Air and Space Museum | Arizona (Part 1) Boneyard Project | Pima Air and Space Museum | Arizona (Part 1) Boneyard Project | Pima Air and Space Museum | Arizona (Part 1) Boneyard Project | Pima Air and Space Museum | Arizona (Part 1) Boneyard Project | Pima Air and Space Museum | Arizona (Part 1) Boneyard Project | Pima Air and Space Museum | Arizona (Part 1)

Boneyard Project | Pima Air and Space Museum | Arizona (Part 1)

Bauhaus:  This too was old timey
Small schools, classes, staff.  Suppression, suffering, a short period of time.  It takes less: tradition and innovation with even a small footprint can accomplish what a dozen massive education engines can not.
L to R:  Photo of the School by Lyonel Feininger 1923, Gunta Stolzl, Class, Class, Josef Albers (R), Class, Marianne Brandt (L), the Metal Workshop, Weaving Class, Weaver
Small Article:
http://rseitz.com/art_writing/bauhaus-this-too-was-old-timey/ Bauhaus:  This too was old timey
Small schools, classes, staff.  Suppression, suffering, a short period of time.  It takes less: tradition and innovation with even a small footprint can accomplish what a dozen massive education engines can not.
L to R:  Photo of the School by Lyonel Feininger 1923, Gunta Stolzl, Class, Class, Josef Albers (R), Class, Marianne Brandt (L), the Metal Workshop, Weaving Class, Weaver
Small Article:
http://rseitz.com/art_writing/bauhaus-this-too-was-old-timey/ Bauhaus:  This too was old timey
Small schools, classes, staff.  Suppression, suffering, a short period of time.  It takes less: tradition and innovation with even a small footprint can accomplish what a dozen massive education engines can not.
L to R:  Photo of the School by Lyonel Feininger 1923, Gunta Stolzl, Class, Class, Josef Albers (R), Class, Marianne Brandt (L), the Metal Workshop, Weaving Class, Weaver
Small Article:
http://rseitz.com/art_writing/bauhaus-this-too-was-old-timey/ Bauhaus:  This too was old timey
Small schools, classes, staff.  Suppression, suffering, a short period of time.  It takes less: tradition and innovation with even a small footprint can accomplish what a dozen massive education engines can not.
L to R:  Photo of the School by Lyonel Feininger 1923, Gunta Stolzl, Class, Class, Josef Albers (R), Class, Marianne Brandt (L), the Metal Workshop, Weaving Class, Weaver
Small Article:
http://rseitz.com/art_writing/bauhaus-this-too-was-old-timey/ Bauhaus:  This too was old timey
Small schools, classes, staff.  Suppression, suffering, a short period of time.  It takes less: tradition and innovation with even a small footprint can accomplish what a dozen massive education engines can not.
L to R:  Photo of the School by Lyonel Feininger 1923, Gunta Stolzl, Class, Class, Josef Albers (R), Class, Marianne Brandt (L), the Metal Workshop, Weaving Class, Weaver
Small Article:
http://rseitz.com/art_writing/bauhaus-this-too-was-old-timey/

Bauhaus:  This too was old timey

Small schools, classes, staff.  Suppression, suffering, a short period of time.  It takes less: tradition and innovation with even a small footprint can accomplish what a dozen massive education engines can not.

L to R:  Photo of the School by Lyonel Feininger 1923, Gunta Stolzl, Class, Class, Josef Albers (R), Class, Marianne Brandt (L), the Metal Workshop, Weaving Class, Weaver

Small Article:

http://rseitz.com/art_writing/bauhaus-this-too-was-old-timey/

Michael Glancy | Citron Element | Glass

Justin Moore | Drawings Justin Moore | Drawings

Justin Moore | Drawings

Maria Helena Vieria da Silva | Grandes Constructiones

Maria Helena Vieria da Silva | Grandes Constructiones

Maria Helena Vieria da Silva | L’Egypte | 1948